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Photo credit: Brian Hartley

Toast with lots of butter

by lovebug + worm

Toast with lots of is a storytelling performance for ages 8-11, peppered with pockets of dance and served with a side of live stream projection. And it’s all about food. It's currently in its early stages of development. 

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Toast with lots of butter is about cheese strings, candy pop rings, dinner ladies, and a trip to the Big Supermarket. This performance explores food, and our relationship with it: celebrating food as a way to connect, to create community, and cooking/feeding/sharing food as crucial acts of care. We’re interested in its unparalleled ability to remind us of a home, a place, a person, at any age, to foster a feeling of belonging and safety, and, most importantly, its potential for playfulness and how it so easily provokes strong, silly yet very serious opinions in anyone and everyone (what is the proper way to a cheese string? Do you want a stodgy middle lasagna slice, or a crispy corner?).

 

In Toast with lots of butter, we follow the busy day of two dinner ladies, glammed up and dressed to the nines in their aprons, crocs, pasta necklaces, candy bracelets and pop rings. They make very important cheese string tutorials that get slightly out of control, have never-ending conversations about what to make for dinner, negotiate the trials and tribulations of technology with their live camera feed and try very hard at perfecting their dance moves. The show is eccentric, melodramatic and absurd with touching moments of honesty and nostalgia. This performance is about the never-ending job of caring for people, of feeding people (of cooking lunch for 400 children, of coming home and making snacks, dinner, packed lunches, breakfast then doing it all again), and the worry that comes with caring, the worry of not having enough to around, of not having enough for yourself, and about how important it is to find the joy and the fun amongst it all. This performance is about strangely specific yet collectively shared memories, such as eating pink and blue sour bottle sweeties until the roof of our mouth gets all raw and rough and then run our tongue across it for the rest of the day, or seeing a chocolate fountain for the first time. It’s about big dreams, like making a giaaaant chocolate cake with 461 spoons so that everyone gets their very own spoon to lick, or owning one of those fancy conveyor belt toaster machine that you get in hotels. And it’s about tired adults wanting to go back in time to when all you had to do was pick a snack. It’s about the importance of playing with your food, of saying thank you and of doing a little dance when you get that perfect bite. This performance hopes to be a celebration of cooking, caring, working hard and doing it all over again, again and again. 

As part of this performance's development, we visited Corstorphine Primary School (Edinburgh) and chatted with their P7 class as well as their dinner ladies. The young people talked about their comfort foods and pitched new crisp recipes. The dinner ladies expressed how excited they were to be asked questions and shared their love of their job, to have "their own show". They spoke about knowing which child needed more food because they knew it was their only warm meal of the day and how they discreetly gave them a bigger portion. We've also talked to dinner ladies is North Lanarkshire. Their sense of duty of care and their playful yet highly significant relationships with the pupils (occupying that in-between yet essential role of a caring and consistently present adult who isn’t their carer) stood out in our conversation and is one of our main inspirations. One of the dinner ladies shared that she believed her ability and ambition to care so much for so many people was rooted in her working-class background. This brought us on to look at David Graeber’s term ‘the caring class’ and is one of the many important underlying contexts of this performance. We’re very interested in exploring what it means to feed someone and how it is one of the most practical, daily, and often overlooked, yet extremely profound acts of care we can do for someone. They reminded us of our own dinner ladies: bold, and caring in equal measures, hilarious and a wee bit outrageous, the kind of character that stays with you for years to come. 

 

These conversations deeply influenced the material that we shared as part of a 12min scratch performance as part of Imaginate and Platform’s Scratch That! event in October 2025.

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